Adding a room to a room doesn't always sound better. And remember there is no reason to ever subject a product recorded at the MGM scoring stage to a convolution reverb, for this space is already an end game sound and it doesn’t need to be improved or modified. We suggest staying away from overly dense and thick reverbs - the library seems to respond best to glossy, clear reverbs with some nice sheen.
#Kontakt 5.7 mac Patch#
If you need more, or a different kind of reverb, use a send in your DAW to give the patch some glossiness. If you have this reverb set to OFF, the Verb Comp fader (Settings Page) will not work. Why? Because we use this reverb partly in our legato engine. We suggest always keeping this on and set to the default amount. There are a few reverb presets in the pull down menu. 1) and Trumpets 2, 3, and 4.Įach mix sends to the REVERB when the mix is on and the REVERB return is on.
The Trumpets patches offer separate mixes of the Principle Trumpet (Tpt. On the left are the standard CineSymphony mix presets. The Close, Room, and Surround mixes are untouched and directly from the microphones on the stage. The Full mix is the desk mix right from the MGM Scoring Stage using the Lexicon 480 and the Avalon 2055 EQ. As with all our CineSymphony Series products, the front page provides our standard 4 mixes: Full, Close, Room, and Surround.